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FORE:In the depths of little recesses the lamps twinkled feebly before images crowned with flowers. At the entrances to shrines little glass lamps, like a mysterious fairy illumination, followed the lines[Pg 116] of the arabesques, sparkling like glowworms, without lighting up the passages which remained dark, and in which, in fact, we finally lost ourselves.
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FORE:Cymbals and kettle-drums formed the orchestra, reinforced by the shrill cries and strident laughter of the spectators.
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FORE:In a long narrow bark, with a pointed white saila bunder-boatwe crossed the roads to Elephanta, the isle of sacred temples. Naked men, with no garment but the langouti, or loin-cloth, navigated the boat. They climbed to the top of the mast, clinging to the shrouds with their toes, if the least end of rope was out of gear, hauled the sail up and down for no reason at all, and toiled ridiculously, with a vain expenditure of cries and action, under the glaring sky that poured down on us like hot lead.
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FORE:Broad streets crossing each other at right angles; houses, palaces, archways flanked by towers, and colonnades, all alike covered with pink-washed plaster decorated with white. And all the buildings have the hasty, temporary appearance of a town run up for an exhibition to last only a few months.
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